{"id":146,"date":"2021-04-20T13:35:06","date_gmt":"2021-04-20T11:35:06","guid":{"rendered":"https:\/\/yanisbenabdallah.com\/fr\/?page_id=146"},"modified":"2022-09-28T17:08:04","modified_gmt":"2022-09-28T17:08:04","slug":"about","status":"publish","type":"page","link":"https:\/\/yanisbenabdallah.com\/fr\/about\/","title":{"rendered":"About"},"content":{"rendered":"

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A propos Yanis<\/h1>\n

[\/et_pb_text][et_pb_text admin_label=”A propos alul” _builder_version=”4.16″ _module_preset=”d31e2bc2-7099-47ba-9c37-1cdc94e70270″ header_font=”Prata||||||||” header_text_align=”left” header_text_color=”#FFFFFF” header_font_size=”90px” header_line_height=”1.1em” transform_scale=”100%|-100%” transform_scale_linked=”off” z_index=”1″ max_width=”750px” custom_margin=”-90px||0px||false|false” custom_padding=”0px||0px||false|false” header_font_size_tablet=”64px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” header_line_height_tablet=”1.2em” header_line_height_phone=”1.3em” header_line_height_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

A propos Yanis<\/h1>\n

[\/et_pb_text][et_pb_image _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”off|off|on” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_slider _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_slide heading=”A propos Yanis” _builder_version=”4.18.0″ _module_preset=”default” header_level=”h1″ header_text_align=”left” background_image=”https:\/\/yanisbenabdallah.com\/fr\/wp-content\/uploads\/sites\/4\/2021\/07\/Yanis-slider-mobile.jpg” background_enable_image=”on” custom_padding=”139px||2px||false|false” custom_padding_tablet=”699px||||false|false” custom_padding_phone=”379px||||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}” sticky_transition=”on”][\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.16″ _module_preset=”default” background_color=”#fff4ef” background_enable_image=”off” background_size=”initial” background_position=”top_center” overflow-x=”hidden” overflow-y=”hidden” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{%22gcid-3f47e762-ddb9-4bcc-9a88-eb1cda6175db%22:%91%93,%22gcid-abdd1dfe-115d-40b5-9c1d-c1c9635de504%22:%91%93}”][et_pb_row disabled_on=”on|off|off” _builder_version=”4.16″ _module_preset=”default” z_index=”10″ custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”|70px|||false|false” custom_padding_tablet=”|0px|||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanisbenabdallah.com\/fr\/wp-content\/uploads\/sites\/4\/2021\/04\/event-space-27-1.png” title_text=”event-space-27″ admin_label=”vonal” _builder_version=”4.16″ _module_preset=”default” positioning=”absolute” height=”802px” custom_margin=”|-20vw||-20vw|false|true” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” z_index=”11″ custom_margin=”5vw||5vw||true|false” custom_padding=”6px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Was born in rabat text” _builder_version=”4.16″ _module_preset=”default” text_font=”Prata||||||||” text_text_color=”#141414″ text_font_size=”24px” text_line_height=”1.5em” text_orientation=”center” max_width=”700px” module_alignment=”center” custom_margin=”29px||||false|false” text_font_size_tablet=”18px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.8em” text_line_height_phone=”1.8em” text_line_height_last_edited=”on|desktop” global_colors_info=”{%22gcid-3f47e762-ddb9-4bcc-9a88-eb1cda6175db%22:%91%93}”]<\/p>\n

N\u00e9 \u00e0 Rabat,\u00a0Yanis Benabdallah\u00a0<\/b>est t\u00e9nor lyrique, chef de ch\u0153ur et d\u2019orchestre fran\u00e7ais, d\u2019origine marocaine et hongroise<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.18.0″ _module_preset=”default” z_index=”10″ min_height=”1000px” height=”1000px” max_height=”1000px” custom_margin=”-172px||-177px||false|false” custom_margin_tablet=”-11px||||false|false” custom_margin_phone=”-20px||-215px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||5px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”280px||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_text admin_label=”text after graduating” _builder_version=”4.16″ _module_preset=”da86b6f0-f83c-4c7c-bdd8-3019777ddffe” text_font=”Prata||||||||” text_text_color=”#141414″ text_font_size=”24px” text_line_height=”1.5em” text_orientation=”center” max_width=”700px” module_alignment=”center” height=”1000px” max_height=”1000px” custom_margin=”-150px||-588px||false|false” custom_margin_tablet=”” custom_margin_phone=”-19px||-686px||false|false” custom_margin_last_edited=”on|tablet” hover_enabled=”0″ text_font_size_tablet=”18px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.8em” text_line_height_phone=”1.8em” text_line_height_last_edited=”on|desktop” locked=”off” global_colors_info=”{%22gcid-3f47e762-ddb9-4bcc-9a88-eb1cda6175db%22:%91%93}” sticky_enabled=”0″]<\/p>\n

Apr\u00e8s un prix de piano au Conservatoire de Suresnes<\/b>\u00a0dans la classe de\u00a0Virginie Pasdeloup<\/b>\u00a0et des \u00e9tudes de\u00a0Musicologie \u00e0 la Sorbonne<\/b>, il obtient son\u00a0Prix de direction de choeur<\/b>\u00a0en 2011 dans la classe de\u00a0Val\u00e9rie Fayet<\/b>, puis se forme \u00e0 la direction d\u2019orchestre au\u00a0Conservatoire Royal de Bruxelles<\/b>\u00a0ainsi qu\u2019aupr\u00e8s du chef d\u2019orchestre\u00a0Amine Kouider<\/b>. Apr\u00e8s avoir \u00e9t\u00e9 assistant au\u00a0Ch\u0153ur et Orchestre Philharmonique Internationale<\/i><\/b>\u00a0et\u00a0directeur musical du ch\u0153ur Paris 1 Sorbonne,<\/b>\u00a0aujourd\u2019hui il se consacre pleinement \u00e0 sa carri\u00e8re de chanteur.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/yanisbenabdallah.com\/fr\/wp-content\/uploads\/sites\/4\/2021\/04\/kell6-1.jpg” title_text=”kell6″ show_in_lightbox=”on” align=”right” admin_label=”conducting p\u00e1lc\u00e1s k\u00e9p” _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”54px||-5px||false|false” hover_enabled=”0″ box_shadow_style=”preset1″ box_shadow_vertical=”1px” box_shadow_spread=”3px” global_colors_info=”{}” show_bottom_space=”off” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Stats” _builder_version=”4.16″ _module_preset=”default” background_color=”#fff4ef” custom_margin=”-57px||||false|false” custom_padding=”4px|||||” global_colors_info=”{%22gcid-abdd1dfe-115d-40b5-9c1d-c1c9635de504%22:%91%93}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Yanis began as a soloist” _builder_version=”4.16″ _module_preset=”90865f4d-2cce-42a7-b40e-d3fbad25605a” text_font_size=”19px” header_2_font=”Prata||||||||” header_2_text_color=”#141414″ header_2_font_size=”60px” header_2_line_height=”1.2em” max_width=”700px” max_width_last_edited=”off|desktop” custom_margin=”66px||0px||false|false” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|tablet” header_2_line_height_tablet=”1.3em” header_2_line_height_phone=”1.4em” header_2_line_height_last_edited=”on|phone” global_colors_info=”{%22gcid-3f47e762-ddb9-4bcc-9a88-eb1cda6175db%22:%91%93}”]<\/p>\n

Sa carri\u00e8re d\u00e9bute en 2007 avec <\/span>Ange Pitou<\/span>\u00a0dans\u00a0La Fille de Madame Angot<\/i><\/b> au th\u00e9\u00e2tre de Cherbourg. <\/span>Il interpr\u00e8te ensuite\u00a0<\/span>Falsacappa<\/span>\u00a0dans\u00a0Les\u00a0Brigands<\/i><\/b>\u00a0d\u2019Offenbach, puis\u00a0<\/span>Cordiani<\/span>\u00a0dans\u00a0Andrea del Sarto<\/i><\/b>,<\/i>\u00a0op\u00e9ra contemporain de Daniel Lesur, ainsi que le r\u00f4le de\u00a0<\/span>N\u00e9ron<\/span>\u00a0dans le\u00a0Couronnement de Popp\u00e9e<\/i><\/b>. En 2012, il chante le r\u00f4le d\u2019<\/span>Orph\u00e9e<\/span>\u00a0 dans \u00a0Les malheurs d\u2019Orph\u00e9e\u00a0<\/i><\/b>\u00a0de D. Milhaud ainsi que les \u00ab\u00a0liebeslieder Walzes\u00a0\u00bb de Brahms \u00e0 la salle Pleyel. En 2013 il fait ses d\u00e9buts \u00e0 Budapest au festival \u00ab\u00a0Verdi Wagner\u00a0\u00bb en chantant des airs de la Traviata, de Macbeth et de Rigoletto, puis rajoute deux importants r\u00f4les \u00e0 son r\u00e9pertoire,\u00a0<\/span>Don Ottavio<\/span>\u00a0dans\u00a0Don Giovanni<\/i><\/b>\u00a0de Mozart chant\u00e9 au festival de Chartres d\u2019Eve Ruggieri ainsi que le r\u00f4le de\u00a0<\/span>Tamino<\/span>\u00a0dans\u00a0La<\/i><\/b>\u00a0Fl\u00fbte Enchant\u00e9e<\/i><\/b>\u00a0de Mozart au festival de Marmande. R\u00f4le qu\u2019il reprendra plusieurs fois et dans trois langues diff\u00e9rentes! C\u2019est en abordant le r\u00f4le de\u00a0<\/span>Don Jos\u00e9<\/span>\u00a0dans\u00a0Carmen<\/i>\u00a0<\/b>chant\u00e9 \u00e0 la fameuse Philharmonie de Budapest en juin 2015 que sa carri\u00e8re artistique prend essor notamment en Hongrie. D\u00e8s lors de nombreux th\u00e9\u00e2tres l\u2019invitent \u00e0 chanter des premiers r\u00f4les\u00a0:\u00a0<\/span>Nemorino<\/span>\u00a0dans l\u2019Elisir d\u2019Amore\u00a0<\/i><\/b>\u00e0 Szeged,\u00a0\u00a0<\/span>Tamino<\/span>\u00a0\u00e0 l\u2019op\u00e9ra de Budapest et \u00e0 Miskolc,\u00a0<\/span>Don Jos\u00e9<\/span>\u00a0au Mans et \u00e0 la \u00ab\u00a0Seine Musicale\u00a0\u00bb \u00e0 Paris,\u00a0<\/span>Alfredo<\/span>\u00a0dans la\u00a0Traviata<\/i><\/b>\u00a0\u00e0 l\u2019op\u00e9ra d\u2019Alger, aux th\u00e9\u00e2tres nationaux du Mans et d\u2019Alen\u00e7on et \u00e0 la Philharmonie d\u2019Arad en Roumanie,\u00a0<\/span>Ismael<\/span>\u00a0dans\u00a0Nabucco<\/i><\/b>\u00a0de Verdi \u00e0 la Seine Musicale de Paris ainsi que\u00a0<\/span>Rom\u00e9o<\/span>\u00a0dans\u00a0Rom\u00e9o et Juliette<\/i><\/b>\u00a0de Gounod \u00e0 Rennes. Il a chant\u00e9 aux c\u00f4t\u00e9s de Karine Deshayes des extraits des\u00a0Troyens<\/i>\u00a0de Berlioz accompagn\u00e9 au Piano par Jeff Cohen \u00e0 la BNF de Paris,. En 2019, il chante dans la prestigieuse salle du \u00ab\u00a0Vigad\u00f2\u00a0\u00bb \u00e0 Budapest le r\u00f4le du\u00a0<\/span>Menuisier<\/span>\u00a0dans\u00a0l\u2019Armoire magique<\/i><\/b>\u00a0de Farkas Ferenc. Pour la saison 2021\/2022, il reprendra le r\u00f4le d\u2019<\/span>Alfredo<\/span>\u00a0dans le cadre du festival d\u2019\u00e9t\u00e9 en plein air au Mans ainsi qu\u2019\u00e0 Alen\u00e7on, le r\u00f4le d\u2019<\/span>Orph\u00e9e<\/span>\u00a0dans\u00a0Orph\u00e9e aux Enfers<\/i><\/b>\u00a0d\u2019Offenbach ainsi que\u00a0<\/span>Ferrando<\/span>\u00a0dans\u00a0Cosi fan Tutte<\/b>\u00a0\u00e0 Rennes. Il fera ses d\u00e9buts \u00e0 Zurich dans le r\u00f4le de\u00a0<\/span>Franz<\/span>\u00a0dans\u00a0Das R\u00f6sli vom S\u00e4ntis<\/i><\/b>\u00a0de Franz Curti.<\/span><\/p>\n

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Sa formation musicale compl\u00e8te lui permet d\u2019aborder aussi bien l\u2019op\u00e9ra, le lied et la m\u00e9lodie que l\u2019oratorio o\u00f9 il se produit r\u00e9guli\u00e8rement dans des messes de Mozart notamment avec son Couronnemen<\/i><\/b>t<\/i>\u00a0, ses\u00a0V\u00eapres d\u2019un Confesseur<\/i><\/b>, sa\u00a0messe en Ut<\/i><\/b>\u00a0et son\u00a0Requiem<\/i><\/b>\u00a0,dans plusieurs messes de Haydn notamment\u00a0\u00a0La<\/i>\u00a0Cr\u00e9ation<\/i><\/b>\u00a0,\u00a0le roi David<\/i><\/b>\u00a0d\u2019Honegger, le Samaritain dans la\u00a0Cantate Misericordium<\/i><\/b>\u00a0de Britten,\u00a0La petite messe solennelle\u00a0<\/i><\/b>de Rossini, la\u00a0Messe en Mib<\/i><\/b>\u00a0de Schubert, le\u00a0Stabat Mater<\/i><\/b>\u00a0de Dvorak, le\u00a0Messie<\/i><\/b>\u00a0de Haendel, le\u00a0Magnificat<\/i><\/b>\u00a0et la\u00a0Messe en si<\/i><\/b>\u00a0de Bach ainsi que la\u00a09eme symphonie\u00a0<\/i><\/b>de Beethoven donn\u00e9e \u00e0 l\u2019UNESCO de Paris et \u00e0 la Philharmonie de Budapest. Par ailleurs, il vient d\u2019enregistrer son premier oratorio contemporain en langue arabe compos\u00e9 par Tarik Benouarka, intitul\u00e9 \u00a0La l\u00e9gende de N\u00e9r\u00e9\u00a0<\/i><\/b>.<\/span><\/p>\n

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Yanis affectionne particuli\u00e8rement l\u2019art du r\u00e9cital en abordant les\u00a0Dichterliebe\u00a0<\/i>de Schumann<\/b>\u00a0donn\u00e9 \u00e0 Miskolc en\u00a0Hongrie<\/b>, des m\u00e9lodies belcantistes (Bellini, Tosti, Rossini<\/b>) donn\u00e9es dans plusieurs festivals en France notamment au\u00a0festival \u00ab\u00a0les Harmonies\u00a0\u00bb<\/b>\u00a0pr\u00e9sid\u00e9 par\u00a0Maciej Pikulski<\/b>, au\u00a0festival de Mayanne<\/b>\u00a0et au festival\u00a0Laval Opera Festival<\/i><\/b>.<\/i>\u00a0R\u00e9cemment, il interpr\u00e8te \u00ab\u00a0La Bonne Chanson\u00a0<\/i><\/b>\u00bb de Faur\u00e9 en compagnie de\u00a0Marie-Christine Barrault<\/b>, accompagn\u00e9 au piano par\u00a0Jeff Cohen<\/b>\u00a0et\u00a0Christian Ivaldi<\/b>\u00a0au concert d\u2019ouverture de\u00a0l\u2019Acad\u00e9mie Francis Poulenc<\/b>. <\/p>\n

Par ailleurs, Yanis se produit tr\u00e8s souvent avec sa femme soprano\u00a0V\u00e1mosi Katalin<\/b>\u00a0en r\u00e9cital pour chanter notamment les grands duos romantiques.<\/span><\/p>\n

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Galerie<\/a><\/h2>\n

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Contactez moi<\/h3>\n

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benabyanis@yahoo.fr<\/span><\/span><\/a><\/h3>\n

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Liens<\/h3>\n

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Liszt Academy<\/a>
Operabase<\/a>
M\u00fcpa<\/a>
UNESCO<\/a><\/p>\n

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Suivez moi<\/h3>\n

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A propos YanisA propos YanisN\u00e9 \u00e0 Rabat,\u00a0Yanis Benabdallah\u00a0est t\u00e9nor lyrique, chef de ch\u0153ur et d\u2019orchestre fran\u00e7ais, d\u2019origine marocaine et hongroiseApr\u00e8s un prix de piano au Conservatoire de Suresnes\u00a0dans la classe de\u00a0Virginie Pasdeloup\u00a0et des \u00e9tudes de\u00a0Musicologie \u00e0 la Sorbonne, il obtient son\u00a0Prix de direction de choeur\u00a0en 2011 dans la classe de\u00a0Val\u00e9rie Fayet, puis se forme \u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/pages\/146"}],"collection":[{"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":65,"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/pages\/146\/revisions"}],"predecessor-version":[{"id":238511,"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/pages\/146\/revisions\/238511"}],"wp:attachment":[{"href":"https:\/\/yanisbenabdallah.com\/fr\/wp-json\/wp\/v2\/media?parent=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}